Kažkaip nesupratau tos vietos dėl saugojimo. Galima pagalvoti, kad juostų saugojimui nereikia patalpų, elektros, spec. temp. ar drėgnumo palaikymo, apsaugos ar pan. Skaitmeną galima saugoti keliose vietose, mirrorinti, keliose technologijose (greitam pasiekimui visada online, offline magnetinėse juostose, offline optinėse laikmenose ir pan.). Kombinacija šių technologijų sukurtų tikrai pakankamai patikimą duomenų išsaugojimą. -- bat0nas (aka bullka) http://twitter.com/bat0nas -- "Icetom" wrote in message news:j2lanq$g39$1@trimpas.omnitel.net... >Bet mes kalbame apie modernius kino teatrus, mainstream'inius filmus, >spec.efektus, efektyvumą, valdymą ir pan. Jei tuose straipsniuose neprivelta klaidų, tai visai įdomių dalykų galima rasti. Ten net lygina filmas vs DC: http://en.wikipedia.org/wiki/Digital_cinema http://en.wikipedia.org/wiki/Digital_cinematography Bendrai užstrigo keletas vietų: Pažiūrėjus į šį paveiksliuką (http://en.wikipedia.org/wiki/File:Digital_cinema_formats.svg ), iš karto darosi suprantama, kodėl pvz. Sony labai rekomenduoja iš karto "eiti" prie 4K projektoriaus. High quality film scanning is expensive (up to $4 a frame, although the costs of this are continually dropping). Distributors prefer digital distribution, because it saves them the expense of making film prints, which may cost as much as $2000 each. To print an 80-minute feature film can cost US$1,500 to $2,500. For the over 4,000 theaters with digital projectors in the USA. In the UK 300 cinema screens were converted to digital projectors as part of a UK film council initiative, the Digital Screen Network (DSN) to advance digital theatrical distribution in the UK funded by National lottery money. On the downside, the initial costs for converting theaters to digital are high: up to $150,000 per screen or more. While a theater can purchase a film projector for US$50,000 and expect an average life of 30–40 years. Furthermore, digital archiving faces challenges due to the insufficient temporal qualities of today's digital storage: no current media, be it optical discs, magnetic hard drives or digital tape, can reliably store a film for a hundred years, something that properly stored and handled film can do.